Welcome to the musical theatre writers’ Resource Center.

This is a FREE page hosted by New Musicals Inc.
As of September 1, 2024, we are NO LONGER maintaining a list of Producers and Theatres, or a Contests Listing. We have found we are no longer able to keep those lists properly up-to-date.
BUT we encourage you to check out the offerings from our friends at MusicalWriters.Com who have a wealth of resources for musical theatre writers!
What you can still find on this page is:
  • an idea library of thousands of royalty-free public domain stories and plots
  • a glossary of musical theatre terms (with audio/video examples)
  • access to short videos filled with tips and advice from NMI staff
  • access to critical feedback options and format guidelines from NMI

Enjoy!


FORMAT LIKE A PRO


Watch this FREE video to learn how to implement the FORMAT GUIDELINES specifically designed by New Musicals Inc. Make sure your script and score look professional and are ready to go into development.

Want more tools to help you get your formatting right?

*** VISIT OUR FORMATTING PRODUCTS PAGE ***



LIBRARY OF IDEAS (Royalty Free)

FREE ACCESS to a library of 1000+ downloadable royalty-free stories, plays, plots and other inspiring indeas we’ve found in the public domain for you. There’s a brief excerpt of every item in the library, so you can take a quick glance to see whether or not you want to read the whole text. In addition, the NMI staff has made annotations and recommendations for many of the titles in the library about their potential to become musicals. Save hundreds of hours of research and reading!


Here are some random samples from our listings of story ideas in the public domain:

      • The Fugitive Office (by Ambrose Bierce)
      • The Life of Five Points (by Edna Clare Bryner)
      • The Thoughtful Warden (by Ambrose Bierce)
      • Vengeance Is Mine (by Virgil Jordan)
      • The Dog and the Physician (by Ambrose Bierce)

      *** LINK TO COMPLETE LIBRARY OF IDEAS ***


IMPROVE YOUR CRAFT


New Musicals Inc. offers a whole series of professional online LABS for bookwriters, lyricists, and composers who are serious about improving their craft. This video is a FREE sample of one of the lecture videos from the all new Lyric Lab 1 - Fundamentals.

FREE PROGRESSION HANDOUT


NEED SOME FEEDBACK?


Have you written a musical? Are you working on one? NMI has smart, professional, detailed dramaturges who will help you make sure you are on the strongest path to fulfilling the promise of your work. From video and audio feedback packages to one-on-one dramaturgical sessions, we have what you need to take the next step forward. We even have an annual contest that results in a workshop and concert reading in Los Angeles.

"We really did appreciate all your help - you’ve got just the right tone to critique. It’s a matter of 'A Spoonful of Sugar Helps The Medicine Go Down'!”
                    ~~George Stiles
          (Mary Poppins, Honk, Soho Cinders)

*** Check out NMI's Feedback options ***


MUSICAL THEATRE ARCHIVES


Here's a sample of items from our vault of historical photos, and musical theatre trivia about events that happened THIS month in the past:

      • October 14, 1930     The Gershwins’ Girl Crazy opened on Broadway, making a star of Ethel Merman, who stopped the show cold with “I Got Rhythm”.
      • October 12, 1971     The rock opera Jesus Christ Superstar opened in New York, marking Andrew Lloyd Webber’s Broadway debut.
      • October 17, 1967     Hair opened at The Public Theatre for a brief Off-Broadway run of 50 performances, prior to a Broadway transfer a few months later.

      *** Click to access the full archives. ***


INSIDER TIPS AND ADVICE


Here is one of our videos with insider tips and advice:


GLOSSARY OF TERMS


Here are some samples from our Glossary of definitions of musical theatre terms. We will be adding to this over time - as well as adding actual sample scores and sound recordings. Check back often!

      • AABA:

        A refrain structure in which an initial A section is followed by a second A section of identical musical material, followed by a section of contrasting musical material, and concluded with a repetition of the initial A section. Lyrics change in each section, but there is usually a repeated lyric in the same location of each A section (e.g., lyric is repeated either the beginning or the end of the A sections). Generally this corresponds to a refrain of typically 8-bar sections. AABA refers to the structure of the Refrain, not the structure of the song.

      • Progression:

        An underlying organization which gives shape or movement to the idea of the lyric. A lyric with progression will begin the listener at one point and deliver him to a different point at the end. Examples include: “I Cain’t Say No” (Oklahoma) and “Memory” (Cats).

      • Chord symbol:

        A chord symbol is a letter and/or accidental which indicates a root pitch on which a chord is to be built and other symbols which indicate the composition of the chord.

      • Falsetto:

        A technique of singing with the “head” voice to create notes above an actor’s normal range; usually refers to a male voice. An example would be “Bring Him Home” (Les Miserables).

      • Duet:

        A song in which two singers sing simultaneously, at least for a portion of the song.

      *** Click to access the full glossary. ***


A scene from Act II from the production of the musical satire “The Sultan of Sulu,” by George Ade, starring Frank Moulan and presented in 1903. From the Collections of the Museum of the City of New York.


Who can take a sunrise,
Sprinkle it with dew,
Cover it in choc’late and a miracle or two?
The candy man.

--Leslie Bricusse