NMI’s RESOURCE CENTER for musical theatre writers

insider tips

glosssary of terms

FREE format video

public domain ideas

FREE curriculum video

theatre archives

Welcome to the musical theatre writers’ Resource Center.

This is a FREE page hosted by New Musicals Inc.
As of September 1, 2024, we are NO LONGER maintaining a list of Producers and Theatres, or a Contests Listing. We have found we are no longer able to keep those lists properly up-to-date.
BUT we encourage you to check out the offerings from our friends at MusicalWriters.Com who have a wealth of resources for musical theatre writers!
What you can still find on this page is:
  • an idea library of thousands of royalty-free public domain stories and plots
  • a glossary of musical theatre terms (with audio/video examples)
  • access to short videos filled with tips and advice from NMI staff
  • access to critical feedback options and format guidelines from NMI

Enjoy!


FORMAT LIKE A PRO


Watch this FREE video to learn how to implement the FORMAT GUIDELINES specifically designed by New Musicals Inc. Make sure your script and score look professional and are ready to go into development.

Want more tools to help you get your formatting right?

*** VISIT OUR FORMATTING PRODUCTS PAGE ***



LIBRARY OF IDEAS (Royalty Free)

FREE ACCESS to a library of 1000+ downloadable royalty-free stories, plays, plots and other inspiring indeas we’ve found in the public domain for you. There’s a brief excerpt of every item in the library, so you can take a quick glance to see whether or not you want to read the whole text. In addition, the NMI staff has made annotations and recommendations for many of the titles in the library about their potential to become musicals. Save hundreds of hours of research and reading!


Here are some random samples from our listings of story ideas in the public domain:

      • Waste (by Granville Barker)
      • The Orphan (by Guy de Maupassant)
      • The Caliph, Cupid And The Clock (by O. Henry)
      • The Lion, the Cock, and the Ass (by Ambrose Bierce)
      • The Survivors (by Elsie Singmaster)

      *** LINK TO COMPLETE LIBRARY OF IDEAS ***


IMPROVE YOUR CRAFT


New Musicals Inc. offers a whole series of professional online LABS for bookwriters, lyricists, and composers who are serious about improving their craft. This video is a FREE sample of one of the lecture videos from the all new Lyric Lab 1 - Fundamentals.

FREE PROGRESSION HANDOUT


NEED SOME FEEDBACK?


Have you written a musical? Are you working on one? NMI has smart, professional, detailed dramaturges who will help you make sure you are on the strongest path to fulfilling the promise of your work. From video and audio feedback packages to one-on-one dramaturgical sessions, we have what you need to take the next step forward. We even have an annual contest that results in a workshop and concert reading in Los Angeles.

"We really did appreciate all your help - you’ve got just the right tone to critique. It’s a matter of 'A Spoonful of Sugar Helps The Medicine Go Down'!”
                    ~~George Stiles
          (Mary Poppins, Honk, Soho Cinders)

*** Check out NMI's Feedback options ***


MUSICAL THEATRE ARCHIVES


Here's a sample of items from our vault of historical photos, and musical theatre trivia about events that happened THIS month in the past:

      • September 12, 1933     Bela Lugosi, famous for his 1931 film portrayal of Dracula, made his Broadway musical debut in Murder at the Vanities.
      • September 18, 1905     Choreographer Agnes de Mille, who changed the face of dance forever with her integrated work on Oklahoma!, Carousel, and her Tony-winning Brigadoon, was born today.
      • September 26, 1957     The show created by one of the all-time starriest creative teams – Arthur Laurents (book), Leonard Bernstein (music), Stephen Sondheim (lyrics), Jerome Robbins (director/choreographer), and Harold Prince (producer) – West Side Story, opened on Broadway.

      *** Click to access the full archives. ***


INSIDER TIPS AND ADVICE


Here is one of our videos with insider tips and advice:


GLOSSARY OF TERMS


Here are some samples from our Glossary of definitions of musical theatre terms. We will be adding to this over time - as well as adding actual sample scores and sound recordings. Check back often!

      • Allegory:

        An extended or continued metaphor, in which the metaphor is consistent throughout the entire plot, such as in Urinetown, Pippin, Candide, Animal Farm, and Lord of the Flies.

      • Prosody:

        The alignment of stresses in music with stresses in the lyric for the purpose of clarity of meaning.

      • Apostrophe:

        A figure of speech addressing an absent person or personified abstraction.  Such as:

        Death, where is thy sting?
        America, God shed his grace on thee.
        Love, look away.

      • Writing for Today’s Musical Theatre Performer:

        There’s a lot of scary singing happening out there, and some of it is due to what David Sisco sees as irresponsible vocal writing.  See attached pdf for an article about vocal ranges, belt, and writing for the musical theatre performer.

      • Accent – dynamic:

        Dynamic accents are a result of notes which are noticeably louder than the notes around them. Dynamic accents can be created by notation (placing accent marks over notes), by syncopation, or by observing the natural accents created by regular meter in which accented syllables fall on accented beats).

        • In Camelot.
        • The rain in Spain falls mainly on the plain.
        • If I were a rich man.
        • I want to be in A-mer-i-ca

      *** Click to access the full glossary. ***


The Black Crook Company,1893. The first American musical company based on European practice of using females in male roles. 4 “couples” in evening dress drinking champagne. From the Musical Theatre History collection of the Library of Congress.


These are my friends.
See how they glisten.
See this one shine,
How he smiles in the light.

--Stephen Sondheim