Welcome to the musical theatre writers’ Resource Center.

This is a FREE page hosted by New Musicals Inc.
As of September 1, 2024, we are NO LONGER maintaining a list of Producers and Theatres, or a Contests Listing. We have found we are no longer able to keep those lists properly up-to-date.
BUT we encourage you to check out the offerings from our friends at MusicalWriters.Com who have a wealth of resources for musical theatre writers!
What you can still find on this page is:
  • an idea library of thousands of royalty-free public domain stories and plots
  • a glossary of musical theatre terms (with audio/video examples)
  • access to short videos filled with tips and advice from NMI staff
  • access to critical feedback options and format guidelines from NMI

Enjoy!


FORMAT LIKE A PRO


Watch this FREE video to learn how to implement the FORMAT GUIDELINES specifically designed by New Musicals Inc. Make sure your script and score look professional and are ready to go into development.

Want more tools to help you get your formatting right?

*** VISIT OUR FORMATTING PRODUCTS PAGE ***



LIBRARY OF IDEAS (Royalty Free)

FREE ACCESS to a library of 1000+ downloadable royalty-free stories, plays, plots and other inspiring indeas we’ve found in the public domain for you. There’s a brief excerpt of every item in the library, so you can take a quick glance to see whether or not you want to read the whole text. In addition, the NMI staff has made annotations and recommendations for many of the titles in the library about their potential to become musicals. Save hundreds of hours of research and reading!


Here are some random samples from our listings of story ideas in the public domain:

      • The Flying-Machine (by Ambrose Bierce)
      • The Wolf, the Goat, and the Kid (by Jean de La Fontaine)
      • Why The Sea Is Salt (by Sir George Webbe Dasent)
      • The Sportsman and the Squirrel (by Ambrose Bierce)
      • A Talisman (by Ambrose Bierce)

      *** LINK TO COMPLETE LIBRARY OF IDEAS ***


IMPROVE YOUR CRAFT


New Musicals Inc. offers a whole series of professional online LABS for bookwriters, lyricists, and composers who are serious about improving their craft. This video is a FREE sample of one of the lecture videos from the all new Lyric Lab 1 - Fundamentals.

FREE PROGRESSION HANDOUT


NEED SOME FEEDBACK?


Have you written a musical? Are you working on one? NMI has smart, professional, detailed dramaturges who will help you make sure you are on the strongest path to fulfilling the promise of your work. From video and audio feedback packages to one-on-one dramaturgical sessions, we have what you need to take the next step forward. We even have an annual contest that results in a workshop and concert reading in Los Angeles.

"We really did appreciate all your help - you’ve got just the right tone to critique. It’s a matter of 'A Spoonful of Sugar Helps The Medicine Go Down'!”
                    ~~George Stiles
          (Mary Poppins, Honk, Soho Cinders)

*** Check out NMI's Feedback options ***


MUSICAL THEATRE ARCHIVES


Here's a sample of items from our vault of historical photos, and musical theatre trivia about events that happened THIS month in the past:

      • October 29, 1891     Fanny Brice, the star of a dozen editions of The Ziegfeld Follies, brilliant comedienne, and inspiration for Funny Girl, was born today.
      • October 16, 1925     Angela Lansbury, musical star of Mame, Anyone Can Whistle, Gypsy, The King and I, Dear World, Sweeney Todd, and others, was born today.
      • October 20, 1935     Jerry Orbach, star of the original productions of The Fantasticks, Carnival!, Promises, Promises, Chicago, and 42nd Street – as well as revivals of Guys and Dolls and Annie Get Your Gun – was born today.

      *** Click to access the full archives. ***


INSIDER TIPS AND ADVICE


Here is one of our videos with insider tips and advice:


GLOSSARY OF TERMS


Here are some samples from our Glossary of definitions of musical theatre terms. We will be adding to this over time - as well as adding actual sample scores and sound recordings. Check back often!

      • The Art of Writing Great Lyrics:

        by Pamela Philips Oland.

      • Musical Scene:

        A musical scene is defined as a moment in a musical when an entire scene is musicalized. This may mean that the sequence contains one or more songs and/or reprises, including underscored dialogue (if necessary, but not required). The section being musicalized must be a complete scene, with a beginning, middle, and end, and including a dramatic action.

        Definitions of dramatic action will keep you awake nights, but the one we use is: The exercise of a character’s will in the face of an opposing force.

        Musical scenes are useful when there are multiple conflicting forces on stage at the same time (Think “Tonight” from West Side Story), but they’re not merely crowd scenes. The focus of a musical scene is generally on one character who is working through a problem or confronting a conflict, though there could be multiple characters in action.

        Ballads, rhythm/uptempo songs and comedy songs can all serve as the basis for musical scenes. “Tonight” from West Side Story is an example of a musical scene arising from a ballad.

        Another example of a musical scene (even though it only involves one character) is “Soliloquy” from Carousel. It begins as a reflective moment and contains elements of charm in the songs “My Boy Bill” and “My Little Girl”. But at the end of the song, the young father-to-be realizes what his responsibilities will be. Consider the final lyrics: “I never knew how to make money/But I’ll try, by God, I’ll try/I’ll go out and make it or steal it or take it/Or die!” The reflection has caused him to make a decision, and we know he will act on it. Definitely a musical scene.

        Not all musical scenes need to have such dire consequences as “Soliloquy” does to qualify. “You Must Meet My Wife” from A Little Night Music is a comedic musical scene. During the song, Frederick gives Desiree permission to hate his wife, Anne, by revealing her to be a perfectly horrible little simp, which she is, and Desiree announces her decision, albeit cleverly and comedically, to do the little witch in.

        A caution: don’t create a musical scene simply by adding underscoring or vamps to a scene in a book. You want your music to have a dramatic function, and not simply mark time in order to make a scene feel as though it’s a whole musical sequence.

      • Jerry Herman – the Lyrics; a Celebration:

        by Jerry Herman.

      • Diegetic music:

        Music which occurs within the actual world of the characters. e.g., the characters are in a nightclub where there’s music, or they put a quarter into a jukebox, or pick up a guitar and start to sing.

      • ANMT:

        Academy for New Musical Theatre. The academic branch of New Musicals Inc. They offer classes, workshops, readings and other support for writers studying the craft of musical theatre.

      *** Click to access the full glossary. ***


Cover of the score for Maggie Murphy’s home, words by Edward Harrigan, music by Dave Braham . C1890. Location: The New York Public Library for the Performing Arts / Music Division


All alone, all at sea!
Why does nobody care for me?
When there’s no love to hold my love,
Why is my heart so frail,
Like a ship without a sail?

--Lorenz Hart