musical theatre writers' resource center NEWSLETTER


UPCOMING CONTEST DEADLINES

*** Visit the RESOURCE CENTER to see the full listings ***



INSIDER TIPS AND ADVICE


July 7, 2024     How to Get NO Feedback from Elise: Vlog 82 – How is this Musical Different from All Other Musicals? Part 3 – The Idea by Erik Bork.

July 7, 2024     How to Get NO Feedback from Elise: Vlog 81 – How is this Musical Different from All Other Musicals? Part 2 – Dramatic by Chris Huntley.

May 1, 2024     How to Get NO Feedback from Elise: Vlog 80 – How is this Musical Different from All Other Musicals? (a 4-part series).

April 1, 2024     How to Get NO Feedback from Elise: Vlog 79 – The moment BEFORE and AFTER the Song

April 1, 2024     How to Get NO Feedback from Elise: Vlog 78 – ACTIVATING THE “ENSEMBLE” SONG

*** Visit the INSIDER TIPS page to see the full listing of insider tips and advice videos. ***

No items found

[toolset_access role=”Guest” operator=”deny”]

SAMPLE PUBLIC DOMAIN IDEAS


A Sea of Troubles

by P.G. Wodehouse

EXCERPT:

He wouldn’t commit suicide. Not if he knew it. He would stick on and laugh at them. And if he did have an occasional pain inside, what of that? Napoleon had them, and look at him. He would be blowed if he committed suicide.

With the fire of a new resolve lighting up his eyes, he turned to seize the six letters and rifle them of their contents.

They were gone.

It took Mr Meggs perhaps thirty seconds to recollect where they had gone to, and then it all came back to him.

COMMENTS:

A man has decided his illness is too much for him and he’s going to kill himself. But before doing so, he wants to avoid the expense and troubles which attorneys would cost his beneficiaries, so he cashes his entire estate (which isn’t all that grant), and addresses six envelopes filled with cash. But during the ensuing feud with the woman that he trusts to mail the envelopes, he thinks better of his decision to kill himself, and wants those envelopes back. This is a slight story but a lot of fun. It would make a charming one act.


Billee Taylor

by R. Stephens

EXCERPT:

The story of “Billee Taylor” is based upon an old English marine ballad of the same name. The first act opens at the inn of the Royal George in Southampton, where the villagers have gathered to celebrate the wedding of Billee Taylor and Phoebe Farleigh, a charity girl. The heiress, Arabella Lane, is also in love with Billee, and has offered him her hand, which he has rejected. Her father, Sir Mincing Lane, is going to give the villagers a feast upon the occasion of Billee’s wedding, and invites his friend, Captain Flapper, to attend. The captain accepts, falls in love with Phoebe at sight, and vows Billee shall not marry her. Crab, the tutor, is also in love with Phoebe. In Captain Flapper’s crew is Bill Barnacle, who went to sea “on account of Eliza,” who had been unfaithful to him, and he is ordered by the press gang to carry Billee away, which he does during the wedding festivities.

COMMENTS:

Lots of pairs of star-crossed lovers and an opportunity for an entire troupe of women to pass themselves off as men (would you cast men or women in these roles?; interesting casting consequences either way).  There’s also some heavier action, such as a shooting and a near execution, which could be treated either comically or darkly.  Unsatisfying denouement.  But there’s some potential in this obscure piece.  You might succeed wildly with a vigorous resurrection of it.

 

A word of caution:  This plot summary was written by 19th-century literary critic George Upton, who often mixes personal opinion with summation.  You would be advised to consult the original source material, if the general plot appeals to you.


Congress and the People

by Ambrose Bierce

EXCERPT:

Successive Congresses having greatly impoverished the People, they were discouraged and wept copiously.

“Why do you weep?” inquired an Angel who had perched upon a fence near by.

COMMENTS:

Sardonic. Cynical. Fun.


The Weasel in the Granary

by Jean de La Fontaine

EXCERPT:

A weasel through a hole contrived to squeeze,
(She was recovering from disease,)
Which led her to a farmer’s hoard.
There lodged, her wasted form she cherish’d;
Heaven knows the lard and victuals stored
That by her gnawing perish’d!
Of which the consequence
Was sudden corpulence.

COMMENTS:

The translation is in verse; a head-start on lyrics.


Theodule Sabot’s Confession

by Guy de Maupassant

EXCERPT:

When Sabot entered the inn at Martinville it was a signal for laughter. What a rogue he was, this Sabot! There was a man who did not like priests, for instance! Oh, no, oh, no! He did not spare them, the scamp.

Sabot (Theodule), a master carpenter, represented liberal thought in Martinville. He was a tall, thin, than, with gray, cunning eyes, and thin lips, and wore his hair plastered down on his temples. When he said: “Our holy father, the pope” in a certain manner, everyone laughed. He made a point of working on Sunday during the hour of mass. He killed his pig each year on Monday in Holy Week in order to have enough black pudding to last till Easter, and when the priest passed by, he always said by way of a joke: “There goes one who has just swallowed his God off a salver.”


*** Visit the PUBLIC DOMAIN IDEAS to see the complete stories ***


[/toolset_access]

As a Musical Theatre Writers’ Resource Center subscriber, you receive this newsletter once a month.

In it, you will find a listing of videos with insiders tips and advice; a listing of upcoming contest deadlines; links to our newest featured video releases; listings for new Writer Bank Members who have joined recently; some sample public domain ideas from our library; and some fun samplings of pictures, lyrics, and musical theatre historical trivia.

Make sure to visit the RESOURCE CENTER online to see complete listings; as well as listings of theatre companies, useful links, and links to online musical theatre videos.

Thanks for subscribing!


Cast of Higher and Higher . 1940. Photographer: Tucker, Richard, 1895-1958. From Richard Tucker photographs, 1934-1951. From the Digital Gallery Collections of the New York Public Library.


Que sera, sera:
Whatever will be will be;
The future’s not ours to see.
Que sera sera!

--Jay Livingston and Ray Evans

[toolset_access role=”Guest” operator=”deny”]


MUSICAL THEATRE ARCHIVES

December 9, 1897     British comedienne Hermione Gingold, who stole scenes in the musical movies Gigi and The Music Man and received a Tony Award nod at the age of 75 for A Little Night Music, was born today. (She also appeared in Harold Prince’s ill-fated film version of …Night Music.)

December 24, 1893     Harry Warren, composer for most of the iconic movie musicals of the 1930s – including 42nd Street, Gold Diggers of 1933, 1935, and 1937, and Go Into Your Dance, all written with lyricist Al Dubin – was born today. He died in 1981, a year after his music was immortalized on Broadway in 42nd Street.

December 6, 1896     Lyricist Ira Gershwin was born today. On Broadway, he worked almost exclusively with his brother George on shows like Lady Be Good, Funny Face, Oh Kay!, and Rosalie. After George’s premature death, he also collaborated with Kurt Weill on Lady in the Dark and The Firebrand of Florence. For the movies, he also collaborated with Jerome Kern and Harold Arlen.

December 2, 1914     Ray Walston, who appeared in Me and Juliet and House of Flowers before originating the role of a lifetime as Applegate in Damn Yankees – and winning a Tony Award for it – was born today.

December 8, 1925     Rat-packer Sammy Davis, Jr., who starred on Broadway in Mr. Wonderful, a revival of Stop the World – I Want to Get Off, and Golden Boy (for which he received a Tony Award nomination, was born today. A dancer since the age of five, he also made movie musicals, including Sweet Charity and Porgy & Bess.

[/toolset_access]

When I grew up and fell in love,
I asked my lover,
“What lies ahead?
Will we have rainbows day after day?”

--Jay Livingston and Ray Evans


Cover of the score for Our home town, lyric by Ballard McDonald, music by Harry Carroll, from Ziegfeld follies of 1921 . Illustrator: Wohlman, Sol. Location: The New York Public Library for the Performing Arts


When you see a guy
Reach for stars in the sky,
You can bet
That he’s doing it for some doll.

--Frank Loesser

new musicals ... infectious