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? DO SEX ROBOTS DREAM OF BECOMING FAIRY PRINCESSES?Book By Rusty Lemorande. Songs By VariousContact Email: lemorande@gmail.com |
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A modern-day Pinocchio for the AI Age, featuring the unforgettable songs of Celine Dion. “DO SEX DOLLS DREAM OF BECOMING FAIRY PRINCESSES?” is an unusual jukebox musical set in the heart of a Chinese-owned, New Jersey sex doll factory. As the test model for the latest in toy-doll, voice technology, Chloe now knows all the fairytales and several languages. As a result, she believes that if she can find a prince charming within the factory, she’ll become a real girl through the transformative power of love. (Ergo, a Pinocchio tale). The most likely candidate is a janitor! As a jukebox musical, the tunes are reliably melodic, ear-catching, heart-warming, and, at times, lachrymose. Like Mama Mia (perhaps the most famous jukebox musical), the lyrics are intertwined and help tell the fictional Pygmallian tale. Although Ms. Dion did not write any of the songs (which are licensed from the authors), her selection process was famously impeccable. The first scenes and their songs can be read and heard utilizing the following link:
https://bit.ly/DO_ROBOTS_DREAM As long as you read the PDF with Adobe Reader (or similar) while on the Internet, the songs (and some illustrative videos) can be played by clicking on them within the document. Note on the ‘VIDEO DEMO’ below: http://bit.ly/SEX_ROBOTS_VIDEO https://www.dropbox.com/s/xqxjjmze3ofiluz/I%27m%20Alive%20Latest.upload.mp4?dl=0 The song is “I’M ALIVE”, a Celine Dion hit, in which factory, robot friends transform drab test-robot Chloe into a Cinderella-like belle awaiting her potential Prince Charming to take her out of the factory and experience the world outside. The video is an admittedly rough animatic including some examples of classic magic stage illusions proposed throughout the show, in addition to examples of the illuminated dancing robots who participate in some of the production numbers, innovative dance traditionally part of all the great, enduring stage musicals. Lemorande is a Golden Globe Winner and an Academy Award Nominee. Lemorande has also been a Disney Fellowship finalist, the winner of the Cassian Elwes Screenplay Fellowship, the winner in the dramatic category of the FINAL DRAFT, BIG BREAK screenplay contest, a selected participant in the New York SHORT BYTES Musical Festival, selected in the NYMT Musical Festival (canceled by the pandemic), and three-time semi-finalist in the prestigious Academy of Motion Pictures Arts and Sciences Screenplay Nicholls Screenplay competition. Lemorande also wrote an original film musical, “THE AMAZING MR. MARVEL” for Michael Jackson, with music by Giorgio Moroder and lyrics by Lemorande. Unfortunately, the film, which was in pre-production, was canceled due to Mr. Jackson’s sudden legal problems and the resulting scandals. Lemorande’s musical motion picture, ELECTRIC DREAMS, is being remade in the U.S. and in a Chinese version. Two years ago, it was adapted for stage and produced on stage in Australia. Lemorande’s other film musical credits are YENTL, starring and directed by Barbra Streisand, and CAPTAIN EO (written and produced by Lemorande), starring Michael Jackson, for the Disney theme parks. In the latter case, Mr. Lemorande’s conception and design of in-theater effects within a 3D film have credited him as the ‘Father of 4D’. Lemorande, as an Executive Producer of the film Caddyshack, was also in charge of music including the selection of the film score composer and all songs in the song score (with the exception of the Kenny Loggins tunes). Lemorande has also acquired the trademark NIGHT OF THE LIVING DEAD and is developing a ‘Ride Through Opera’ (using theme park ride technology) for an operatic musical based on the title; Lemorande has written the libretto and lyrics and is currently seeking a composer. Lemorande was also commissioned by Paramount Pictures to adapt the screenplay for the Lloyd-Webber stage production of Sunset Boulevard, commissioned by Arclight Films, and authorized by Sir Cameron Macintosh to adapt the screenplay of Miss Saigon. |
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https://www.dropbox.com/s/xqxjjmze3ofiluz/I%27m%20Alive%20Latest.upload.mp4?dl=0 |
? DO SEX ROBOTS DREAM OF BECOMING FAIRY PRINCESSES?
Book By Rusty Lemorande. Songs By Various
Contact Email: lemorande@gmail.com
A modern-day Pinocchio for the AI Age, featuring the unforgettable songs of Celine Dion.
“DO SEX DOLLS DREAM OF BECOMING FAIRY PRINCESSES?” is an unusual jukebox musical set in the heart of a Chinese-owned, New Jersey sex doll factory.
As the test model for the latest in toy-doll, voice technology, Chloe now knows all the fairytales and several languages. As a result, she believes that if she can find a prince charming within the factory, she’ll become a real girl through the transformative power of love. (Ergo, a Pinocchio tale).
The most likely candidate is a janitor!
As a jukebox musical, the tunes are reliably melodic, ear-catching, heart-warming, and, at times, lachrymose. Like Mama Mia (perhaps the most famous jukebox musical), the lyrics are intertwined and help tell the fictional Pygmallian tale.
Although Ms. Dion did not write any of the songs (which are licensed from the authors), her selection process was famously impeccable.
The first scenes and their songs can be read and heard utilizing the following link:
https://bit.ly/DO_ROBOTS_DREAM
As long as you read the PDF with Adobe Reader (or similar) while on the Internet, the songs (and some illustrative videos) can be played by clicking on them within the document.
Note on the ‘VIDEO DEMO’ below:
http://bit.ly/SEX_ROBOTS_VIDEO
https://www.dropbox.com/s/xqxjjmze3ofiluz/I%27m%20Alive%20Latest.upload.mp4?dl=0
The song is “I’M ALIVE”, a Celine Dion hit, in which factory, robot friends transform drab test-robot Chloe into a Cinderella-like belle awaiting her potential Prince Charming to take her out of the factory and experience the world outside.
The video is an admittedly rough animatic including some examples of classic magic stage illusions proposed throughout the show, in addition to examples of the illuminated dancing robots who participate in some of the production numbers, innovative dance traditionally part of all the great, enduring stage musicals.
Lemorande is a Golden Globe Winner and an Academy Award Nominee.
Lemorande has also been a Disney Fellowship finalist, the winner of the Cassian Elwes Screenplay Fellowship, the winner in the dramatic category of the FINAL DRAFT, BIG BREAK screenplay contest, a selected participant in the New York SHORT BYTES Musical Festival, selected in the NYMT Musical Festival (canceled by the pandemic), and three-time semi-finalist in the prestigious Academy of Motion Pictures Arts and Sciences Screenplay Nicholls Screenplay competition.
Lemorande also wrote an original film musical, “THE AMAZING MR. MARVEL” for Michael Jackson, with music by Giorgio Moroder and lyrics by Lemorande. Unfortunately, the film, which was in pre-production, was canceled due to Mr. Jackson’s sudden legal problems and the resulting scandals.
Lemorande’s musical motion picture, ELECTRIC DREAMS, is being remade in the U.S. and in a Chinese version. Two years ago, it was adapted for stage and produced on stage in Australia.
Lemorande’s other film musical credits are YENTL, starring and directed by Barbra Streisand, and CAPTAIN EO (written and produced by Lemorande), starring Michael Jackson, for the Disney theme parks. In the latter case, Mr. Lemorande’s conception and design of in-theater effects within a 3D film have credited him as the ‘Father of 4D’.
Lemorande, as an Executive Producer of the film Caddyshack, was also in charge of music including the selection of the film score composer and all songs in the song score (with the exception of the Kenny Loggins tunes).
Lemorande has also acquired the trademark NIGHT OF THE LIVING DEAD and is developing a ‘Ride Through Opera’ (using theme park ride technology) for an operatic musical based on the title; Lemorande has written the libretto and lyrics and is currently seeking a composer.
Lemorande was also commissioned by Paramount Pictures to adapt the screenplay for the Lloyd-Webber stage production of Sunset Boulevard, commissioned by Arclight Films, and authorized by Sir Cameron Macintosh to adapt the screenplay of Miss Saigon.
https://www.dropbox.com/s/xqxjjmze3ofiluz/I%27m%20Alive%20Latest.upload.mp4?dl=0