The Mask | MusicalTheatreResourceCenter

TITLE OF SOURCE:

AUTHOR'S NAME - FIRST:

LAST:

DESCRIPTION:

There was a masquerade ball at the Elysee-Montmartre that evening. It was the 'Mi-Careme', and the crowds were pouring into the brightly lighted passage which leads to the dance ball, like water flowing through the open lock of a canal. The loud call of the orchestra, bursting like a storm of sound, shook the rafters, swelled through the whole neighborhood and awoke, in the streets and in the depths of the houses, an irresistible desire to jump, to get warm, to have fun, which slumbers within each human animal.<br><br>The patrons came from every quarter of Paris; there were people of all classes who love noisy pleasures, a little low and tinged with debauch. There were clerks and girls--girls of every description, some wearing common cotton, some the finest batiste; rich girls, old and covered with diamonds, and poor girls of sixteen, full of the desire to revel, to belong to men, to spend money. Elegant black evening suits, in search of fresh or faded but appetizing novelty, wandering through the excited crowds, looking, searching, while the masqueraders seemed moved above all by the desire for amusement. Already the far-famed quadrilles had attracted around them a curious crowd. The moving hedge which encircled the four dancers swayed in and out like a snake, sometimes nearer and sometimes farther away, according to the motions of the performers. The two women, whose lower limbs seemed to be attached to their bodies by rubber springs, were making wonderful and surprising motions with their legs.<br>

COMMENTS:

CANDIDATE FOR ADAPTATION?: